How is art in India evolving?
In India, the art world is undergoing a profound transformation as the country’s population ages and as its economic growth slows.
In an effort to foster greater cultural diversity, the government of Prime Minister Narendra Modi has initiated a series of initiatives, including the development of cultural and arts centres.
These centres are aimed at providing better access to the arts for the youth, as well as offering opportunities for artists and creatives to network and collaborate.
But these initiatives have not yet brought about the rapid growth in the art market that some industry experts say is necessary.
“In the past few years, we’ve seen the rapid development of Indian art, but it’s not been as rapid as in other countries,” says Srinivas Mehta, president of the National Foundation of India Art, Culture and Technology (FIND) .
The arts industry, like any industry, has a number of challenges, including competition from the private sector and lack of cultural identity. “
I think that the current economic situation and a more inclusive culture are going to help this change.”
The arts industry, like any industry, has a number of challenges, including competition from the private sector and lack of cultural identity.
The lack of diversity in the Indian art world has also hindered its ability to engage with the wider public.
“The art world in India is quite heterogeneous and it’s very difficult to have a cultural identity in the context of India, let alone globally,” says Raghavendra Singh, a senior fellow at the University of Toronto, Canada.
“The art sector is in dire straits right now.”
The rise of digital media, particularly social media, has helped the Indian arts sector diversify.
But this has also created a challenge for the art sector, as it cannot afford to develop the capacity to promote its works in digital media alone.
“Art in India has a very poor digital literacy.
It’s quite a problem,” says Mehtas Art and Design Foundation.
“We’re talking about digital art which has been produced by the public domain.
You’re an artist who’s not making a living off of the art and is doing something for the community.””
When you’re a public domain artist, you’re not really a public figure.
You’re an artist who’s not making a living off of the art and is doing something for the community.”
In the recent past, the Indian government has introduced an online registration system, called Aadhaar, which has enabled many artists to create works in their own name, which they can share on social media.
But these online works are still not widely available in the country.
Art has long been seen as an important component of Indian culture and culture has traditionally been a crucial element in any country’s development.
In the past, India’s art industry has been relatively passive, and had little presence in the public sphere.
But digital platforms such as Facebook and Twitter have given the Indian artists and designers an outlet to promote their work, and to share their art.
The emergence of social media platforms, such as Instagram and Facebook, has given the artists an outlet for the media they created.
“This has enabled artists to interact with their audience and get their work out there,” says Pranab Mehtan, co-founder and director of the Centre for Cultural Diversity in India (CCDI).
“This also means that they can create their own work.”
However, the recent rise of social and digital media has also opened up the market for Indian artists to do things that are not traditionally done in the arts.
This includes using social media to promote themselves, as Mehtar notes that many artists use their artworks as promotional material for their own business.
“When you have this level of engagement, it opens up a lot of opportunities for the artists to go further,” he says.
The recent surge in digital engagement is not unique to India, however.
In India and across the world, artists have been increasingly experimenting with new ways to reach audiences through their work.
In 2011, for example, the digital platform I Am Me, launched a new platform for women, where women can create, sell, share and promote their artwork.
In 2016, the French fashion brand Dior partnered with artists in India to create a collection of collages inspired by the Indian artist, Tawdeer Bhattacharya.
“It’s very exciting because we have so many people using these platforms.
They can use the platform as a platform to get their art out there.
It gives them a platform and an opportunity to showcase their art,” says I Am Bhatt, the creative director of I Am Dior.
The new platforms allow artists to get feedback on their art from fans, and get the word out about their work on social networks.
“It gives them the chance to promote and show off their art, which is very valuable,” says Nandini Sharma, managing director of Dior India.
In 2017, the Paris-based agency AIM India launched a brand called “Amerika” in India.
“A model of being a true artist